aka The Urban Legend on a Village
Original title: Sugisawa Mura Toshi Densetsu
Three young men follow on the traces of a popular Japanese urban legend about
a village in Aomori prefecture that disappeared from the maps after a villager
murdered the rest of the population in a rather impressive killing spree. If you
want more details about the urban legend itself, make your way here.
The guys actually manage to find Sugisawa village, but something the film
will only explain much later happens, and only one of them returns home,
bloodied and panicked and clearly dragging something supernatural with him. He
tries to convince the sister of one of the lost men as well as another woman
whose exact connection to the rest (girlfriend? friend?) never becomes quite
clear to go to the rescue. Which might just turn out to be a horrible idea.
Directed by Yasutake Torii (if we do believe the IMDb when it comes to rather
obscure Japanese productions), The Urban Legend is not exactly the sort
of thing many people will go out looking for. Well, one of the female cast
members is apparently an idol, so there will be a couple of fans coming in from
that direction, but otherwise, the film is clearly cheap, slow, and will not be
terribly exciting for most viewers. To get something out of its rather oblique
storytelling, it does help to know the urban legend it is working from; a bit –
well, actually rather a lot - of patience certainly helps too.
Armed with both of these things, I found myself somewhat enjoying some parts
of the film. The obliqueness of the storytelling certainly adds a feeling of
mystery (and probably confusion) to the whole affair, and makes what otherwise
would probably too straightforward a tale a bit more interesting. The sound
design with the incessant fake howling of fake wind in the background is cheap
yet effective. From time to time, the director hits on a shot or two that’s
actually creepy, and the – most probably budget-conscious – decision to show the
reaction shots of actors to most of the supernatural happenings more than what
disturbs them for most of the running time is not without its merits either.
Which is actually a bit more than I expected from the film going in, but I
did enter with particularly low expectations, so make of this what you wish.
Thursday, August 29, 2019
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