Film student Andy Roberts accompanies and films his landlord and sometimes
boss Jack Angel, an occultist with mediumistic abilities, on some house calls in
their home town of Bath. Occult activity in the city has been increasing in the
last couple of days, and there is indeed something very nasty afoot, connected
to the symbol of a horned snake and buried beneath the layers of history modern
Bath is built upon.
This one’s a very indie outing directed by Roberts, shot in a POV style -
with some inserts that are meant as build-up to the final act - as the only
proper way to tell this particular story without a couple of millions as a
budget. Even though there are certainly obvious flaws to the film - like camera
work that’s a bit too jittery, acting that often feels more like good amateur
work than strictly professional acting, some weird pacing hiccups - that’ll
probably make it unwatchable for some, I found myself rather taken with the
whole affair. In part because the script does a more than decent attempt at
constructing an occult mystery surrounding Bath’s past and present, in part
because most of Roberts’s directorial and stylistic choices demonstrate a good
sense of how to build a dark and creepy mood on the very cheap.
Mostly, though, I’m a sucker for films that use the local as well as
Occult Angel does, mixing the true and a fictional history of Bath to
construct a horror tale whose use of a layered past is highly specific to its
place, resonating with the very British horror subgenre of folk horror (and my
beloved cosmic horror) by suggesting the very real and malignant influence of a
buried past on a present that has pointedly attempted to forget as much about it
as possible, leaving it to the outsiders and the weirdoes to care.
Which is and does quite a bit more than your usual contemporary POV film
about some crap haunting that turns out to be caused by crap demons who like to
follow (crap) screeching people through the woods, so is it any wonder I really
rather liked Occult Angel?
Tuesday, August 13, 2019
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