British attempts at creating a new franchise in the spirit of James Bond have historically never fared too well. A nice example for this tradition is this attempt at bringing in French director Etienne Périer and turn to the ever popular Alistair MacLean for scripting duties to make a young Anthony Hopkins playing a permanently disgruntled treasury agent into “The New James Bond”.
Apparently, nobody involved in the production bothered to understand why the Bond movies were the smashes they were, so that series’ sense for POP and the popping eye candy is replaced by the more realistic and workaday charms of your typical Alistair MacLean hero and his world. Hopkins’s Calvert is still supremely competent, mind you, but like all MacLean heroes, he’s rather too down to Earth and focussed on solving the problems at hand to ever feel charismatic or cool like even the Roger Moore version of Bond does.
There is quite a bit of geographical hopping around here too, but where the Bond films show what tourists like to see – and typically set an outrageous action set piece there – When Eight Bells Toll prefers various, dramatically grey, coast lines, and lots of ships and boats (and helicopters, to be fair). There’s nothing wrong with that at all of course, but if you’re trying to beat the contemporary Bond movies at their own game, you might at least look as if you’re trying.
There are at least some direct if tepid attempts at copying the sexy/sleazy bits of the Bonds, but the film – after all written by the rather notoriously couth MacLean - feels faintly embarrassed by that instead of convinced, which obviously also turns it unconvincing.
All of this doesn’t mean there’s no fun to be had here. If you go into the film not asking for the Bond it doesn’t know how to deliver but for a more on-brand action/adventure Alistair MacLean style affair, there’s a lot to like here, particularly if you enjoy your action and adventure taking place on coastlines and boats (there is, thankfully, not too much interest in diving here), and featuring ultra-competent, slightly boring protagonists.
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