Late teen Daniel (François Goeske), is going geocaching with Elli
(Jytte-Merle Böhrnsen), a girl he knows from his favourite geocaching forum with
whom he obviously shares a reciprocated crush, his best friend, the rather more
outgoing Thomas (Pit Bukowski) and Elli’s best friend, the rather more outgoing
Jessica (Josefine Preuß). Both best friends are also there as some kind of moral
support rather than because they enjoy geocaching, so you just might see some
mild parallels here.
The cache they are looking for is hidden somewhere in the Pfälzerwald (that’s
apparently the “Palatine Forest” in English). As it will turn out, it’s hidden
in a very unfortunate place, behind a badly locked fence and smack dab in the
middle of an old experimental HAARP installation that doesn’t seem to be manned
anymore but which is still running well enough, making the treasure hunt rather
more adventurous and deadly than anyone would have expected.
So, apparently, Thorsten Klein’s Lost Place is “the first German
mystery-thriller shot in 3D and mixed in Dolby Atmos”, which means it looks
surprisingly good and is mixed way too loud for my taste. As a small aside, when
the German pop cultural mainstream says “mystery”, it usually means horror/SF –
often with a certain Fortean bent – in the tradition of the X-Files,
thanks to German TV programmers in the 90s learning/imagining that you get more
asses in front of the TV when you call horror by a misapplied English term.
Which is about as German a thing as you will encounter.
At least, that term in its German meaning fits rather neatly with what’s
actually going on in Lost Place which is all about treating
electromagnetism and a bit of conspiracy lore in a pretty Fortean manner. For
most of its running time, it’s a decently enjoyable film, looking really rather
pretty and often managing to use that prettiness to create a pleasantly
threatening mood of paranoia. The dialogue’s on the cringey side, it has to be
said, and the bigger emotional beats all teeter on the brink of inadvertent
comedy – though the young yet experienced cast do their best to sell weird
melodrama about pacemakers (don’t ask, and I won’t have to explain) as Very
Serious Stuff.
Obviously, the plot itself, with an antagonist that will turn out to be a
(non-sentient) electromagnet, is of dubious scientific value and really rather
silly, but then, when did I let that stop me from enjoying a movie? Plus, this
is a still rare example of a contemporary German genre movie that’s not ashamed
to be a bit silly and treat goofy ideas seriously, instead of doing the typical
German cinema thing of trying to shove serious themes treated as po-faced as
possible in to prove that this is not a mere entertainment (the horror!). And
entertaining, as well as well-paced, I found Lost Place to be.
Thursday, October 10, 2019
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