Through the transformation of the glorious WTF-Films into the even more
glorious Exploder
Button and the ensuing server changes, some of my old columns for
the site have gone the way of all things internet. I’m going to repost them here
in irregular intervals in addition to my usual ramblings.
Please keep in mind these are the old posts without any re-writes or
improvements. Furthermore, many of these pieces were written years ago, so if
you feel offended or need to violently disagree with me in the comments, you can
be pretty sure I won’t know why I wrote what I wrote anymore anyhow.
Original title: Le Poil De La Bête
Nouvelle France, 1665. The charming, if unwashed, rogue and professional
seducer of women Joseph Cote (Guillaume Lemay-Thivierge), has worked his charm
on the wrong girl this time, and has been sentenced to be hanged. Using his
mildly impressive wit, Joseph manages to escape from his jail cell and flees
into the barely settled lands outside of Quebec. On his way, he finds the rather
shredded corpse of a Jesuit priest, and decides to take what's left of the dead
man's clothes and belongings; surely, as a priest he will have a much easier
life getting around. In his new priestly persona, Joseph is soon enough attacked
by something large, fast and hairy that knocks him out. He is rescued by a
farmer who takes him into the small settlement he's living in - and by "small",
I really mean small. Two large-ish huts, one church and a slightly
better built house for the noble owner of these lands - who is off in Quebec
right now acquiring potential brides for his sons and servants - a walk through
the woods away, are all the place has to offer.
Joseph is invited to stay for the night, certainly not expecting what will
happen next. While the handful of men of the place sits around a fire singing
and telling stories, a werewolf attacks, killing one of them and hurting
Joseph's leg during the priestly rogue's surprisingly effective attempt at
fighting the monster off. The next day, the local landholder, a Seigneur de
Beauport (Gilles Renaud) and two of his three sons return with a wagon full of
King's Daughters (historical bonus note: these weren't daughters of the French
king, but orphaned or half-orphaned young French women from poor families whose
emigration and marriage were sponsored by the French crown to solve its colony's
population problem once the French got afraid of the fast growth of the
neighbouring English colony and realized that if they wanted to keep making
money off their part of the Americas, they'd need to transform their minor
outpost into an actual colony). For some preposterous reasons of that aren't the
least bit suspicious, the Seigneur decides to keep the women in "quarantine"
inside the church for a few days. Joseph soon enough takes the arising
opportunity to do some of that seducing business he's so keen on but actually
falls in love with his victim, Marie Labotte (Viviane Audet). That'll come in
handy to motivate him to not run away later on.
Alas, Joseph's unpriestly demeanour (turns out having no clue about the
contents of the bible and running around seducing women isn't what the locals
expect from their priests; add your own joke about actual priests preferring
little boys here) provokes the ire of the settlers who now decide that he's a
werewolf and must be burned at the stake. Fortunately, the true werewolf attacks
before worse things can happen and Joseph kills him with a cross-shooting
crossbow he found in the priest's belongings. The dead priest, you see, was the
French colony's premier expert on werewolf hunting. Of course, his stuff will
come in handy when it turns out that there's more than one werewolf around.
Whoever might it be?
As the rather preposterous sounding and overly complicated (and believe me,
I've left out even more complications, asides, and characters; like the
scriptwriters should have) plot synopsis already might have clued you in on,
French-Canadian comedy/historical adventure/horror movie Le Poil De La
Bête is neither the best written, nor the most coherent, nor the most
sensible of films. If I were of a nastier disposition, I'd even suggest that
it's really a pretty stupid film written by people who can't think of a better
way to construct a plot than as a series of coincidences happening to a group of
clichés (or, as is the case, by two very inexperienced writers: one guy who
until now only worked in the electrical department of movies, and another one
whose second script this was). Fortunately, Le Poil leaves me in a much
better mood than it has any right to, so I can happily declare that, yes, the
film's incredibly stupid, its plotting feels lazy and uninspired, and (former TV
director) Philippe Gagnon's direction just doesn't do much that's exciting, but
it also is a decently entertaining piece of fluff.
Decently entertaining, that is, when you are able to just roll with the bunch
of nonsense the film throws at you. Don't even expect it to try to fuse the
three genres it is working in into a whole. Instead of trying to connect its
disparate genre parts, Le Poil makes do with having one (sometimes even
funny) comedy scene, then one (usually neither horrifying nor disturbing) horror
one, then one bit of (at times dumb, at times weirdly authentic feeling,
unfortunately always confusing people of the past having beliefs that seem
strange to us now with them being idiots) historical adventuring, in the grand
old tradition of "one damn thing after another" movies. So, for Cthulhu's sake,
don't expect it to be more than a series of possibly awesome events made kinda
fun, kinda unfun, or you'll never have an entertaining second with the
movie.
Even though it might not sound like it, I did get my ninety minutes of
entertainment from the film. Le Poil is the type of movie that doesn't
do a lot (or, probably, anything) right, but keeps its failings so varied that
it leaves me - while not interested in its ideas, or convinced of anything
amounting to its quality - looking forward to what stupid, unsuccessful stunt
it's going to try to pull next. That must be a success of some kind.
Friday, June 16, 2017
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