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Twilight aka Szürkület (1990): I found György Fehér’s adaptation of a much-adapted Dürrenmatt novel to be a rather frustrating experience. There are moments here, many moments even, where its Hungarian slow cinema style, the long shots of foggy, murky landscape accompanied by an ominous score create an incredible mood of dread, a feeling of wrongness highly appropriate to its plot about child murder and a retired policeman obsessing over the case.

But whenever characters start to speak, that very sinister spell was broken and I felt thrown into what I could only read as a parody of the same Hungarian slow cinema style, dialogue scenes that go on and on and on (and on and on) because characters pause for endless seconds after every second or third word in a sentence, as if the actors had painful trouble remembering every single word in every damn line they say. Call me a barbarian, but that ain’t art.

Seedpeople (1992): Probably not art either is this Full Moon Production film directed by the typically entertaining Peter Manoogian. Instead, it’s a seed-based version of “Invasion of the Body Snatchers”, but with more gloopy rubber monsters. It’s rather good fun in its very undemanding low budget movie manner, and while the acting is nothing to write home about, and the script doesn’t really add much (and subtracts a lot of subtext) from its, ahem, inspiration, you can’t argue with gloopy rubber monsters, or at least I’m not going to.

Mostly because they use mind control, and/or turn you into a plant person.

Get Away (2024): Speaking of things that are undemanding but good fun, this horror comedy by Stefan Haars about a British family coming to a remote Swedish (shot in Finland) island to witness a curious play and stumble into a plot of folk horror and perversity isn’t terribly deep either. You’ll either notice its big plot twist early on, or get distracted by those wacky, creepy Swedes (portrayed by Finns), and you’ll enjoy the very, very bloody climax, or you won’t.

If this sounds as if I’m going for the classic “you’ll like this sort of thing if you like this sort of thing” move here, indeed I am, because there’s little else to say about the movie apart from that. Well, it’s always great to see Nick Frost.