Grave Robbers (1989)

Original title: Ladrones de tumbas

Centuries ago. The inquisition (heroes for once, if only in a movie!) just barely manage to thwart the plan of one of their own executioners (Agustín Bernal) to beget the Anti-Christ via the icky ways of ritual and virgin rape. On the torture rack, just after he has cursed everyone involved and prophesied his eventual return, he is dispatched via his own axe in his chest. 

Today, well, the late 80s. A group of teenage grave robbers – one of whom apparently finds their targets through a psychic gold finding sense – really appear to hit it big this time around. They find their way into a secret crypt below a grave, where a lot of very old corpses wear a lot of jewellery. Alas, dire warnings by Psychic Gal notwithstanding, they get too greedy and open the coffin of the executioner, and remove the axe from his chest. Obviously, this wakes the angry dead guy up but good, and soon the local lethality rate by decapitation, face pressed through lattice, and axeings rises to Halloween Kills levels. Campers are particularly under threat.

Eventually, the dead guy will certainly also try to revive his old rapey plans, if the local cop Captain López (Fernanda Almada) doesn’t find a way to fight him off. Since the cop’s daughter (Edna Bolkan) will turn out to be the killer’s preferred virgin, he is at least highly motivated.

I have to admit, I didn’t really expect terribly much going into Rubén Galindo Jr’s mix of supernatural slasher and religious horror. Most of the little I’ve seen of Mexican horror of the 80s does tend to the cheap, boring and not terribly interesting to look at. The two last problems really do not apply to the film at hand, though, for once his film gets into its groove, it provides so much gloopy fun and so many bizarre ideas and films them so pretty damn attractively, you could probably make two normal movies out of them.

The beginning of the film is a mite slow, but once the executioner is walking around again, heads and extremities start to fly left and right, Almada’s cop beats up teenagers and wastes ammunition like a good action hero, and stranger things dawn on the horizon.

All of this is most probably inspired by Italian 80s horror. At the very least, Galindo seems to like the same mix of blueish light, indoor fog and specific camera angles as his European colleagues. That’s not a complaint, and perfectly keeping in the tradition of Mexican horror, which also was rather good at taking European or North American influences and given them a very individual turn.

The mood of the film is strange and a bit dream-like early on, partially thanks to the camerawork but also because the way the characters go about their business doesn’t exactly make sense (unless most grave robbers are teens with their own psychic), the way the locations are supposed to be connected never quite comes together as anything you’d call a believable picture – even if you ignore the executioner’s Satan-given ability to teleport. This sort of thing will of course be a bit of a weakness if you like things logical and plausible, but here, it seems rather consciously used as a way to create a mood of the outré.

And things do get rather out there in the final half hour, when the slasher we’ve been watching suddenly adds things like a murderous hand coming out of a guy’s belly, a hand which then suddenly comes – plaster colour and all out of a wall to strangle another character. Then, a priest is attacked by a flying dagger he can’t pray away, and Captain López really gets into dynamite in the action movie plus horror plus what the hell climax. All of this is realized via pretty wonderful practical effects, shot attractively, and staged – apart from a couple of bizarrely wayward reaction shots in the finale – very effectively.

Ladrones de tumbas is a wonderful example of all that is good and right about fun 80s horror, and, because Mexican horror unfairly never made it terribly big outside of Spanish language audiences, probably a new old example of the form for many a potential viewer.