In what now looks like an alternative version of 1989, the USA and the USSR
have decided on complete nuclear disarmament and an official end to the Cold
War. Veteran Green Beret Sergeant Johnny Gallagher (Gene Hackman) belongs to the
mass of soldiers running security at the final negotiations concerning the
matter. Or in his case, securing an outer perimeter.
After he and his men stumble into the assassination of a US officer by what
the audience already knows is a conspiracy between Soviet and US hardliners to
stop the peace process at any cost, he is very suddenly ordered to transport a
military prisoner, one supposed Walter Henke (Tommy Lee Jones), to the US. Once
arrived on US soil, Gallagher is attacked and knocked out while his charge
absconds. Gallagher, being old, stubborn, and Gene Hackman, is smelling
bullshit, and soon teams up with his also military ex-wife (Joanna Cassidy), and
later a Chicago vice cop (Dennis Franz) to find his prisoner. Since he quickly
realizes the man he brought to the US isn’t actually Walter Henke, and finds
himself framed for murder to boot, Gallagher’s soon concentrating on finding out
what the hell’s actually going on, perhaps saving world peace in the process.
That’ll teach conspirators to screw with old school sergeants, I suppose.
The plot of Andrew Davis’s conspiracy/action thriller The Package is
actually a bit more complicated than that, but thanks to a clear presentation by
Davis and a script by John Bishop that usually focuses on providing the audience
with the right information at the right time, it actually feels rather
straightforward, in a good way. Now, you might argue that the conspiracy seems
needlessly complicated, actually includes too many people who need to get killed
for it to work, and really stops working as a plan at all once the public
shoot-outs start, but its execution on screen works fine and never feels
terribly preposterous even when it should.
The film’s plausibility is certainly increased by the resonances it has with
the greatest hits of violent US politics like the Kennedy assassination and the
nasty stuff US intelligence services have gotten up to throughout their
existence. The cast helps there, too, with Hackman probably playing this sort of
thing in his sleep yet still providing Gallagher with enough personality and
sheer stubbornness to absolutely make him the guy to root for here; it’s also
fascinating to watch a late 80s action movie whose hero isn’t a violent asshole
but only ever kills in absolutely self-defence. The rest of the actors are as
dependable and convincing as expected, with Cassidy, Jones, Franz, John Heard
and Pam Grier in a way too small role all fleshing out what are at their core
pretty plot functional roles.
From time to time, the film does look a little like an enhanced TV movie. As
a rule – and for my tastes – Davis is a competent and effective but also
somewhat too functional kind of director, absolutely able to direct this sort of
thing effectively but keeping things a bit too tidy and controlled when a bit
more chaos might make things more exciting or simply more interesting.
Still, The Package is a well done film that moves through its
particular genre space with a degree of intelligence while providing a healthy
dose of excitement. Which may sound like me damning with faint praise again, but
is actually me complimenting a movie on a job well done.
Sunday, November 17, 2019
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