A group of cheerleaders (as played by Betsy Russell, Lucinda Dickey, Lorie
Griffin, Teri Weigel and Rebecca Ferratti) and their two male companions (Leif
Garrett and Travis McKenna) take part in a prestigious cheerleading camp – I
leave it to everyone’s imagination if such a thing existed in the real world of
the real 80s – to improve their act for some sort of upcoming competition and to
take part in the camp’s very own competition as well. However, something’s very
wrong at the camp, and it’s not just some of the girls’ horrifying competitive
streak when it comes to, well, everything, from cheerleading to boys, nor their
just as horrifying lack of empathy and solidarity.
Things start very early on with the supposed suicide (which is of course in
truth murder) of one of the girls, the sort of thing that should stop
the summer fun completely, if not for the fact that camp owner and eternal
cheerleader Miss Tipton (Vickie Benson) fulfils the local Sheriff’s (Jeff
Prettyman) cheerleader kink. More girls disappear, or rather, as the audience
knows, are murdered in horrible ways. Curiously enough, all of the murdered have
some reason to be in the bad books of Dickey’s character who increasingly starts
to fray at the edges during the course of the film.
I didn’t expect the slasher comedy Cheerleader Camp to actually be
anything but a dispenser for tits and gore, particularly since it was directed
by future softcore director John Quinn. So I am particularly happy to note the
film is indeed a bit more, actually much more, interesting than that. Sure,
there’s the mandatory amount of female nudity – though fans of the male form
will get something to look at too – and a series of increasingly cool, icky and
physically absurd killings. But they are realized in a competent and effective
manner,and even the nudity mostly fulfils a sensible function in the film’s
actual plot; a plot that does indeed exist. And while I thought it rather
obvious who is actually responsible for the killings, Cheerleader Camp
is taking its murder mystery angle mostly seriously, timing red herrings
and reveals well. Why, the film even bothers to provide its cheerleading
protagonists with somewhat complex inner lives, caring for them rather more than
most slashers do with their respective victims, which obviously makes
watching it rather more involving than just gawking at the murders would be. The
actresses – and Leif Garrett – seem to appreciate that effort too, and
consequently do a bit more work than just shoving pretty faces and breasts and
George ‘Buck’ Flower into the audience’s faces.
I also found myself laughing about at least half of the film’s jokes, which
is as good as any camp based teen comedy – horror or not - can hope to get out
of me.
Adding an additional frisson of pleasant surprise to the film’s other
considerable charms is the amount of subversive elements in the script by David
Lee Fine and R.L. O’Keefe. At times, Cheerleader Camp really digs into
portraying the immense pressure to be pretty, and good, and perfect, and
available, yet still virginal, these young women are put under, as well as the
way they internalize these pressures to then put them on their peers in turn.
Why, even the killer is really only doing a somewhat more extreme version of
what a young woman’s supposed to. As long as she comes out on top and looks good
doing it, it’s alright, right?
Tuesday, October 23, 2018
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