A bunch of total pricks has a pretty successful YouTube channel where they
“prank” people, where “prank” is defined as cruel bullying that’s excused with a
good old “just joking”.
One among their number, Ethan (Dante Spencer), seems to want to leave the
fold of four guys who’ve brought out the shitty little boy in one another since
Junior High, just now marrying a guh, a guh, a girl named Gabrielle (Jen Yeager)
and secretly planning to move to Colorado (which I assume is as far away as
possible without leaving the country).
The three remaining friends, particularly the clearly deranged Nick (Nathan
Reid), plan to end their show with a bang, by ruining the wedding night of their
supposed best friend. For reasons said wedding night takes place in a
cabin in the snowy woods that belongs to one of the guys’ fathers, so things are
well set up to spy on the couple via hidden cameras, don skull masks and have
fun with axes. Would you believe that things don’t turn out terribly well?
There’s the core of pretty interesting little horror film hidden away in AJ
Wedding’s The Jokesters. That imaginary film would use thriller
elements and tropes of the POV horror sub-genre to examine destructive male
friendships, why it might be not a good idea to stay together with every idiot
one has outgrown, and how basically sane people can push one another into the
extreme corners of being assholes.
Unfortunately, this film is buried under masses of filler and drudgery. The
first forty minutes in particular are bordering on torture, seeing as we the
audience spend them with four complete assholes that incessantly act the part,
and then again, and again, and again. Fun fact: I got it after the first ten
minutes, and could have lived without the film’s repetition of this basic fact
about its characters. This directly leads into the film’s next problem,
characterisation that doesn’t actually give any of the people in whose fates we
as an audience are supposed to be interested in any character traits beyond
being obnoxious and horrible. Well, Nick is apparently “not Mexican”, and the
other dudes like their racist and sexist jokes, but that’s it when it comes to
characterisation. Basically, these assholes are assholes.
Things don’t improve much once the plot sets in, for the supposed twists and
turns never feel anything but random – not least thanks to that lack of depth in
the characterisation – and what I believe is supposed to be dramatic
escalation never grabs at all.
Tuesday, August 21, 2018
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