While it’s certainly not an artistic success, Takashi Shimzu’s repeat-remake
of his own movie – already filmed twice by him for the Japanese market - this
time around for an US audience apparently thought to be incapable of
withstanding looking at a film featuring only Asian faces, is at least an
interesting film. Mostly interesting in how it makes one realize how
comparatively small changes to a scene can turn it from something creepy into
something rote and banal. That happens here again and again with horror
sequences Shimizu used to creepiest effect in his Japanese movies. In this
remake scenes shot in minimally different ways still lose most of their
power.
It is also rather interesting to realize that a higher budget really doesn’t
mean a film actually gets better bang for its buck. Just compare the sound
design for the ghosts in the originals with the one here, the poor dead
things losing half their creep factor despite certainly having cost much more.
The increased slickness doesn’t do the film much good either, with houses and
offices and so on that look too antiseptic turning what should be lived in,
personal spaces for the supernatural to intrude in back into film sets, which
obviously decreases the emotional weight for the audience.
Even things changed that are on paper “better” work out for the worse in this
one: the narrative’s structure is much clearer but that also means it loses some
of the dislocating – and therefore disturbing – effect of the Japanese
originals, the film again getting slicker but much less capable of disturbing by
it.
Thursday, January 11, 2018
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment