Many of the people working in front of or behind the camera of Hammer Studios did have rather a hard time arriving in the 70s, with the well-known dire consequences for Hammer, and possibly British horror of the time as a whole.
From time to time, though, Hammer alumni did some rather interesting things by letting their old-fashioned style collide with some new ideas. Case in point is The Ghoul, a film that unites Freddie Francis, Anthony Hinds and the great Peter Cushing in a much more worthwhile way than I expected. Read more about it in my newest column at Exploder Button!
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