aka The Forger of London
Perhaps the greatest problem the German Edgar Wallace adaptations made by Rialto Film had was the intense family resemblance of many of the films. Once you've seen enough of them, they become a confusing mass of masked villains, smirking detectives, bowler hats, fog, Eddi Arent, evil reform schools, Klaus Kinski and young heiresses in need to be kidnapped.
Technorati-Markierungen: reviews,other places,german movies,krimi,harald reinl,karin dor,hellmut lange,siegfried lowitz
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