Great review. And I agree with you about Curiel -- and the fact that a lot of these Mexican horror directors who were so adept at creating effective atmosphere in their black and white films seem to have kind of lost their footing when they made the transition to color. There's a lot of just "let's shine a bunch of really bright lights directly on the actors and shoot them straight on" with the ocassional moment when they seem to have briefly remembered how to use indirect light and shadow.
And what was it with this obsession with incredibly bright light? It's even more difficult to understand with the black & white films in mind again - it's not as if advanced lighting was beyond the filmmakers.
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Great review. And I agree with you about Curiel -- and the fact that a lot of these Mexican horror directors who were so adept at creating effective atmosphere in their black and white films seem to have kind of lost their footing when they made the transition to color. There's a lot of just "let's shine a bunch of really bright lights directly on the actors and shoot them straight on" with the ocassional moment when they seem to have briefly remembered how to use indirect light and shadow.
Thanks Todd.
And what was it with this obsession with incredibly bright light? It's even more difficult to understand with the black & white films in mind again - it's not as if advanced lighting was beyond the filmmakers.
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