Film student Andy Roberts accompanies and films his landlord and sometimes 
boss Jack Angel, an occultist with mediumistic abilities, on some house calls in 
their home town of Bath. Occult activity in the city has been increasing in the 
last couple of days, and there is indeed something very nasty afoot, connected 
to the symbol of a horned snake and buried beneath the layers of history modern 
Bath is built upon.
This one’s a very indie outing directed by Roberts, shot in a POV style - 
with some inserts that are meant as build-up to the final act - as the only 
proper way to tell this particular story without a couple of millions as a 
budget. Even though there are certainly obvious flaws to the film -  like camera 
work that’s a bit too jittery, acting that  often feels more like good amateur 
work than strictly professional acting, some weird pacing hiccups - that’ll 
probably make it unwatchable for some, I found myself rather taken with the 
whole affair. In part because the script does a more than decent attempt at 
constructing an occult mystery surrounding Bath’s past and present, in part 
because most of Roberts’s directorial and stylistic choices demonstrate a good 
sense of how to build a dark and creepy mood on the very cheap.
Mostly, though, I’m a sucker for films that use the local as well as 
Occult Angel does, mixing the true and a fictional history of Bath to 
construct a horror tale whose use of a layered past is highly specific to its 
place, resonating with the very British horror subgenre of folk horror (and my 
beloved cosmic horror) by suggesting the very real and malignant influence of a 
buried past on a present that has pointedly attempted to forget as much about it 
as possible, leaving it to the outsiders and the weirdoes to care.
Which is and does quite a bit more than your usual contemporary POV film 
about some crap haunting that turns out to be caused by crap demons who like to 
follow (crap) screeching people through the woods, so is it any wonder I really 
rather liked Occult Angel?
Tuesday, August 13, 2019
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