Thursday, January 25, 2018

In short: (The) Guyver (1991)

Trying to help out his crush Mizky (Vivian Wu), Sean Barker (Jack Armstrong) stumbles into the way of the plans of an evil corporation connected to ancient aliens using monstered-up people to do classical evil stuff like murdering Mizky’s father. During the proceedings, Sean fuses with an ancient organic battlesuit known as The Guyver, which will turn out to be very useful, kinda awkward, and a bit icky. Government man Max Reed (Mark Hamill) assists.

Quite a few of the people involved behind the camera – particularly co-director Steve Wang and the stunt team – of this Charles Band production would be or were involved in the US versions of Kamen Rider and various Super Sentai shows, so it comes as no surprise that this is very much an attempt at making an American tokusatsu (even with Japanese involvement on the production side). Since Wang’s co-director is special effects maniac Screaming Mad George, the monster design and some of the transformation designs (just watch what happens to poor Mark Hamill!) are often on the very grotesque and bizarre side with a bit of body horror thrown in. That’s most definitely one of the film’s strong points, as is the generally tokusatsu-level fighting.

Problems arise whenever nothing transforms or fights – Armstrong and Wu might as well not be on screen, so little about their performances is memorable, the dialogue is horrible throughout, and there’s a line of painfully unfunny humour running through everything. A particular low point in that regard is the character of Striker (Jimmie Walker), a borderline racist “black guy who randomly raps, even when he is transforming into a monster” caricature, someone involved in the production must really have liked, so often he pops in to make a viewer cringe, curse, or shake their fists at the screen.


On the positive side, there is a lot of transforming and fighting going on, so things never become completely unbearable. People like me will also be happy about the presence of Michael Berryman and a smaller role for that maddest of scientists, Jeffrey Combs, indeed playing a mad scientist, as well as dear old Linnea Quigley.

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