There aren't all that many horror films standing in the same tradition as less on-the-nose and ambiguous contemporary literary horror. I'm not surprised, for doing this sort of thing well must be exceedingly difficult in a medium that is by nature not as easily turned towards interiority and ambiguousness as fiction is. Even worse, even if your film achieves its goal well, a lot of people will still hate it just for its insistence on things other than plot or blood.
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