Super 8 (2011): So, we've now reached a point where filmmakers are making nostalgic films about films that had a nostalgic view of childhood, and get these films produced by the people whose films they are nostalgic about. While I will always disagree with the Spielbergian position on childhood as a precious and magical time for everyone, J.J. Abrams' film sells the concept much better than the guy whose work he so obviously adores, mostly because Abram is much better at acknowledging the parts of childhood that aren't bicycles and unicorns. Plus, the film has a very satisfying monster and - even in a happy end - does understand that life is messy and complicated more than anything Spielberg himself ever did.
Mimic - The Director's Cut (1997): This cut does not turn a flawed yet good monster movie into a masterpiece, but it excises some of the Weinstein cut's least effective moments (second unit material much hated by director Guillermo del Toro, it seems), and manages to add a bit more humanity to its characters through the slightest of additions. There's also a much more visible subtext about the concept of motherhood in there now, that avoids much of what usually is annoying when male directors try their hands at commenting on the theme.
Additionally, Del Toro's audio commentary tells a great filmmaking horror story of the sort that makes one wonder how Miramax ever managed to put out a decent movie.
Ghastly (2011): The directorial debut of South Korean Ko Seo-jin may not have a single original idea in its head (or script) and may be about as subtle as a sledgehammer yet it is a tight little spook show that never pulls any of its punches and doesn't overstay its welcome. There are a few too many dream sequences in it for my tastes, though.
It's just another film about a possessed/evil child and hacked off body parts, but it's still perfectly entertaining.